Musical Colors Science

The Whole Systems Synthesis

Of Music, Color and Geometry

A Scientific Deep Dive

Sound And Color are Vibrations Of The Unified Field Found In Nature

We believe that bringing music and color together is one of the most natural things to do, just as a handful of great minds have sought to do so in recent and ancient times.  We postulate that relatively soon there will be a universally accepted and standardized unification of these two very different but complimentary and proportionally similar artistic languages of music and color, yielding an all encompassing and expanding Unified Musical Colors Theory. In effect, a synthesis between the two disciplines, tied together by the mathematical equation:

Musical Colors Prism of musical notes

   VF=(((432^2)•1609.344)/(AF•(2)^40)•10^10)/10   

The Natural Or True “Middle Octave” Found In Western Music

Actually begins One tritone up from middle C(c4) at the note f#4

C Is The Center Of Music Just As Green lies at

The Center Of The Natural Light Color Spectrum

Musical Colors Rainbow Backdrop

THE RAINBOW

The Synesthetic Brain Can See

Music And Hear Color? what!

Scientific inquiry has uncovered a compelling link between color and music, demonstrating shared mathematical proportions rooted in the natural order. This intersection is particularly evident in the harmonious correspondence between musical notes and the colors of the visible spectrum, where frequencies align with specific wavelengths. The phenomenon of synesthesia adds an extraordinary dimension, as some individuals seamlessly perceive both color and music in conjoined ways, offering insights into the intricate wiring of the human brain, which hints at the intertwined pathways responsible for processing these sensory experiences. Overall, the scientific exploration of color and music reveals an obvious and profound interconnectedness, from mathematical harmonies to the extraordinary perceptual symphonies experienced by a unique subset of individuals.

Musical Colors Synesthetic Brain
  • Studies show that color enhances memory retention throughout many disciplines and especially in music.

  • Some professional musicians have personal relationships between music and color which help them do what they do best.

  • Color coded music systems help to make a positive difference in music education for many children and adults alike.

How do color, shape & Sound

Mathematically Fit together?

THE NATURAL COLOR-SHAPE-

SOUND CORRELATION TABLE


The Higher Complex Solids

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42480˚ Truncated Icosidodecahedron

E^11 42480Hz. 4th Major 7th

20880˚ Truncated Dodecahedron,

Truncated icosahedron, Rhombicosi-

dodecahedron & Snub Dodecahedron

E10 20880Hz. 3rd Major 7th

16560˚ Truncated Cuboctahedron

C10 16560Hz. 2nd Diminished

5th / Augmented 4th / Tritone

10080˚ Icosidodecahedron

D#9 10080Hz. 2nd Major 6th

7920˚ Truncated Octahedron,

Truncated cube, , Snub Cube

& Rhombicuboctahedron

B8 7920Hz. 1st Perfect 4th


Musical Colors Icosahedron Interior Angle Sum 3600
Musical Colors Dodecahedron Interior Angle Sum 6480

The Upper Platonic Solids

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6480˚ Dodecahedron G#8

6480Hz. 3rd Major 2nd

3600˚ Icosahedron Truncated

Tetrahedron / Cuboctahedron A#7

3600Hz. 3rd M 3rd (20)

(3456) A7 3456Hz. Minor 3rd (19)

(3240) G#7 3240Hz. 2nd Major 2nd (18)

(3096) G7 3060Hz. minor 2nd (17)

(2880) F#7 2880Hz. 4th Octave (16)

(2736) F7 2736Hz. Major 7th (15)

(2592) E7 2592Hz. 2nd minor 7th (14)

(2448) D#7 2340Hz. Major 6th (13)


Musical Colors Hexahedron (Cube) Interior Angle Sum 2160

The Mid Platonic Solid &

4th Part of F# Major Harmony

F# 1440Hz. A# 1800Hz. C# 2160Hz.

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2160˚ Hexahedron (Cube) C#7

2160Hz. 3rd Perfect 5th (12)

(2070) C7 2070Hz. 1st Diminished

5th/Augmented 4th/Tritone (11)


The Mid Euclidian Shapes

& Lower Platonic Solid

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1800˚ Dodecagon A#6

1800Hz. 2nd Major 3rd (10)

1620˚ Hendecagon G#6

1620Hz. 1st Major 2nd (9)

1440˚ Decagon Octahedron

F#6 1440Hz. 3rd Octave (8)

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1260˚ Nonagon D#6

1260Hz. 1st Major 6th (7)

3rd Part of F# Major Harmony

F# 720Hz. A# 900Hz. C# 1080Hz.

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1080˚ Octagon C#6

1080Hz. 2nd Perfect 5th (6)

900˚ Heptagon A#5

900Hz. 1st Major 3rd (5)

Musical Colors Dodecagon Interior Angle Sum 1800
Musical Colors Hendecagon Interior Angle Sum 1620
Musical Colors Decagon Interior Angle Sum 1440
Musical Colors Octahedron Interior Angle Sum 1440
Musical Colors Nonagon Interior Angle Sum 1260
Musical Colors Octagon Interior Angle Sum 1080
Musical Colors Heptagon Interior Angle Sum 900
Musical Colors Hexagon Interior Angle Sum 720

The Base Platonic Solid

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ULTRA VIOLET

720˚ Hexagon Tetrahedron

F#5 720Hz. 2nd Octave (4)


The Lower Euclidian Shapes

2nd Part of F# Major harmony

F# 360Hz. C# 540Hz. & the

Natural Color Spectrum Octave

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the color VIOLET & Note F 684Hz.

The Color INDIGO & Note E 652.5Hz.

The Color BLUE & Note D 576Hz.

540˚ Pentagon C#5

540Hz. 1st Perfect 5th (3)

The Color GREEN & Note C 517.5Hz.

The Color YELLOW & Note B 495Hz.

The Color ORANGE & Note A 432Hz.

The Color RED & Note G 387Hz.

DARK RED 360˚ Circle & Square

F#4 360Hz. 1st Octave (2)

Musical Colors Tetrahedron Interior Angle Sum 720
Musical Colors Pentagon Interior Angle Sum 540
Musical Colors Circle & Square Interior Angle Sum 360

Musical Colors Triangle Interior Angle Sum 180

The Base Euclidian Shape

1st Of 4 Part F# Major Harmony

One single note F# 180Hz.

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INFRA RED

180˚ Triangle F#3

180Hz. Fundamental (1)


The table shown above has

A Naturally Occurring F# Major

Triad In Perfect 4 Part Harmony

Within an overtone Series in F#

correlating to all geometry, the

natural Light Spectrum & more